Annette Kranz presents the oeuvre and patrons of Christoph Amberger in a meticulously researched and generously illustrated study that brings the Augsburg portrait painter into the mainstream of [...] Read More

Truth in packaging. This book, based on the author’s 2001Habilitationschrift, delivers what its title promises. Beginning with a sketch of Altdorfer historiography as well as period religion, it [...] Read More

Growing out of her dissertation, completed in 2000 for the Technische Universität, Berlin, Schollmeyer’s book is a substantial addition to the literature on Lower Rhenish painting. Jan Joest is at [...] Read More

The paintings and drawings Jan Gossaert made for Philip IV of Burgundy and other patrons related to the sixteenth-century Burgundian court reveal the crucial role the artist played in weaving [...] Read More

In the early sixteenth century Antwerp was a key center for some of the most significant developments in Netherlandish art, particularly the assimilation of Italian Renaissance style, and the [...] Read More

Most histories of print collectors and their collections spring from an investigation of the print collection itself. Take for example, Peter Parshall's article on Ferdinand of Tyrol's collection at [...] Read More