Cambridge: Cambridge University Press, 1998. 255 pp, 87 b&w illus. ISBN 0-521-62037-6
While there is scarcely a shortage of scholarly publications focused directly upon the various aspects of Albrecht Dürer’s life and work – such studies had already reached gargantuan proportions prior [...] Read More
New Haven and London: Yale University Press, 1999. 317 pp, 385 illus., mostly in colour, ISBN 0-300-07220-1
This attractive volume presents the impressive sixteenth-century holdings of London’s National Gallery, offering numerous art historical perspectives from which to appreciate its works. The paintings, [...] Read More
[Cat. Exh., Musée des Arts Anciens, Namur, May 13 – November 1, 2000]. Namur: Musée des Arts Anciens du Namurois, 2000. 288 pp, 282 illus., 179 in colour, 38 drawings and tables
This is the catalogue of a comprehensive exhibition on Herri met de Bles and his artistic entourage, held at the Musée des Arts Anciens du Namurois, Namur, May 13 – November 1, 2000. The exhibition [...] Read More
Göttingen: Vandenhoeck & Ruprecht, 2000. 348 pp, 48 b&w illus. ISBN 3-525-47900-X
Why did the motif of landscape develop from a backstage prop into a self-sufficient genre in Flemish painting around the middle of the sixteenth century? What did this mean to the contemporary viewer? [...] Read More
Basel: Schwabe & Co. AG, 2000. 261 pp, 251 b&w illus. ISBN 3-7965-1695-5
Almost two decades have elapsed since the last large-scale exhibition devoted to this subject: the joint presentation of museums in Philadelphia and Boston: The Prints of Lucas van Leyden and his [...] Read More
Garland Reference Library of the Humanities, vol. 1480: Artist Resource Manuals, vol. 2. New York and London: Garland Publishing, 1997. 749 pp, 1 illus. ISBN 0-8153-0389-0
In art historical literature it is deemed desirable to gather, at regular intervals, clearly organised bibliographic lists of what has been written about artists up to that point. That this makes good [...] Read More