During the last decade the Musée de Flandre in the picturesque Northern French city of Cassel has received a certain renown for its exhibitions of Flemish seventeenth-century painting, sometimes [...] Read More
17th-Century Flemish
Rubens. Study Heads and Anatomical Studies: Study Heads. Edited by Bert Schepers and Brecht Vanoppen; transl. by Michael Hoyle, with additional translations by Fiona Healy and Elizabeth McGrath (Corpus Rubenianum Ludwig Burchard, Part XX [2])
In terms of problems of attribution, this is one of the most difficult volumes in the Corpus Rubenianum Ludwig Burchard. Head studies are, of course, working material kept in the studio and used again [...] Read More
The Drawings of Peter Paul Rubens. A Critical Catalogue, Volume One (1590-1608)
Anne-Marie Logan’s catalogue of Rubens’ drawings, which to public knowledge, has been a very long time in the making, in fact going back as far back as 1965, when she started collecting material under [...] Read More
America and the Art of Flanders. Collecting Paintings by Rubens, Van Dyck, and Their Circles (The Frick Collection Studies in the History of Art Collecting in America, 5)
The scope for America and the Art of Flanders goes back to the symposium held at the Frick Collection in 2016. It comprises eleven essays by noted scholars who examine the American taste for the art [...] Read More
Rubens’s Spirit: from Ingenuity to Genius
With this new title from the Reaktion series ‘Renaissance Lives,’ Alexander Marr continues his exploration of a topic that has preoccupied him for a number of years: the early modern discourse on the [...] Read More
Many Antwerp Hands. Collaborations in Netherlandish Art
Growing out of a 2018 conference at the Rubenianum in Antwerp, this cluster of essays interrogates a significant phenomenon in Antwerp painting, especially from the seventeenth century: collaboration [...] Read More