In general, Anthony van Dyck has been better served by catalogues than monographs. Any study of the artist will have as its point of departure the monumental 2004 catalogue raisonné by Susan Barnes, [...] Read More
17th-Century Flemish
Mythological Passions: Titian, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez
It must have been one of the most satisfying and challenging tasks with which a museum curator can be faced. To be presented with six of the finest pictures ever executed, namely Titian’s poesie [...] Read More
Peter Paul Rubens und der Barock im Norden
The occasion for this exhibition, organized under the direction of Christoph Stiegemann, the actual director of the Erzbischöfliches Diözesanmuseum in the Westphalian city of Paderborn, was the fact [...] Read More
Rubens. Genre Scenes (Corpus Rubenianum Ludwig Burchard, XVII)
This latest volume in the Corpus Rubenianum Ludwig Burchard is dedicated to Rubens’s genre pictures. It was only in the late eighteenth century that today’s generic term genre gradually was becoming [...] Read More
Theodoor van Loon
Despite the high esteem in which he was held by contemporaries in Italy and the Netherlands, the Brussels painter Theodoor van Loon (1581/82–1649) had until recently been largely ignored by modern [...] Read More
Rubens. Architectural Sculpture (Corpus Rubenianum Ludwig Burchard, Part XXII: Architecture and Sculpture, 4)
The most recent addition to the Corpus Rubenianum Ludwig Burchard by Valerie Herremans examines Rubens’s engagement with architectural sculpture. This book complements the previous volume of the [...] Read More