Anne-Marie Logan’s catalogue of Rubens’ drawings, which to public knowledge, has been a very long time in the making, in fact going back as far back as 1965, when she started collecting material under [...] Read More
17th-Century Flemish
America and the Art of Flanders. Collecting Paintings by Rubens, Van Dyck, and Their Circles (The Frick Collection Studies in the History of Art Collecting in America, 5)
The scope for America and the Art of Flanders goes back to the symposium held at the Frick Collection in 2016. It comprises eleven essays by noted scholars who examine the American taste for the art [...] Read More
Rubens’s Spirit: from Ingenuity to Genius
With this new title from the Reaktion series ‘Renaissance Lives,’ Alexander Marr continues his exploration of a topic that has preoccupied him for a number of years: the early modern discourse on the [...] Read More
Many Antwerp Hands. Collaborations in Netherlandish Art
Growing out of a 2018 conference at the Rubenianum in Antwerp, this cluster of essays interrogates a significant phenomenon in Antwerp painting, especially from the seventeenth century: collaboration [...] Read More
Copies of Flemish Masters in the Hispanic World: Flandes by Substitution
The fourteen essays in this volume focus on the Spanish reception of Flemish painters and paintings from the fifteenth to the seventeenth centuries. The essays are arranged in chronological order and [...] Read More
Anthony van Dyck & the Art of Portraiture
In general, Anthony van Dyck has been better served by catalogues than monographs. Any study of the artist will have as its point of departure the monumental 2004 catalogue raisonné by Susan Barnes, [...] Read More