Growing out of a 2018 conference at the Rubenianum in Antwerp, this cluster of essays interrogates a significant phenomenon in Antwerp painting, especially from the seventeenth century: collaboration [...] Read More
17th-Century Flemish
Copies of Flemish Masters in the Hispanic World: Flandes by Substitution
The fourteen essays in this volume focus on the Spanish reception of Flemish painters and paintings from the fifteenth to the seventeenth centuries. The essays are arranged in chronological order and [...] Read More
Anthony van Dyck & the Art of Portraiture
In general, Anthony van Dyck has been better served by catalogues than monographs. Any study of the artist will have as its point of departure the monumental 2004 catalogue raisonné by Susan Barnes, [...] Read More
Mythological Passions: Titian, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez
It must have been one of the most satisfying and challenging tasks with which a museum curator can be faced. To be presented with six of the finest pictures ever executed, namely Titian’s poesie [...] Read More
Peter Paul Rubens und der Barock im Norden
The occasion for this exhibition, organized under the direction of Christoph Stiegemann, the actual director of the Erzbischöfliches Diözesanmuseum in the Westphalian city of Paderborn, was the fact [...] Read More
Rubens. Genre Scenes (Corpus Rubenianum Ludwig Burchard, XVII)
This latest volume in the Corpus Rubenianum Ludwig Burchard is dedicated to Rubens’s genre pictures. It was only in the late eighteenth century that today’s generic term genre gradually was becoming [...] Read More