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Book Reviews

The Donor’s Image: Gerard Loyet and the Votive Portraits of Charles the Bold

By Hugo van der Velden

Turnhout: Brepols Publishers, 2000. 285 pp, 133 b&w illus., 16 col. plates. ISBN 2-503-50722-0

Review published May 2002

An appealing volume for the generalist and specialist alike, The Donor’s Image provides an analysis of the history, context, and iconography of one of the world’s most precious and fascinating [...] Read More

Painting and Patronage in Cologne 1300-1500

By Brigitte Corley

London: Harvey Miller, 2000. 342 pp, 280 illus., 30 in color. ISBN 1-8722501-51-6

Review published May 2002

This book – the first such study in English–– traces the development of later medieval painting in Cologne over two centuries, beginning with the emergence of the agitated ‘Zackenstil’ in the wall [...] Read More

Illiterati et uxorati. Manuscripts and their Makers: Commercial Book Producers in Medieval Paris 1200-1500

By Richard H. Rouse and Mary A. Rouse

Turnhout: Brepols Publishers; London: Harvey Miller, 2000. vol. I: 413 pp, vol. II: 407 pp. ISBN 1-872501-41-9

Review published May 2002

The Latin that hovers above the more sober "Manuscripts and their Makers," on the title page of Richard and Mary Rouse’s magisterial two-volume work, is Francis Bacon’s dismissive description of the [...] Read More

Herri met de Bles: Studies and Explorations of the World Landscape Tradition

By Norman E. Muller, Betsy J. Rosasco, and James H. Marrow (eds.)

Princeton: The Art Museum, Princeton University; Turnhout: Brepols Publishers, 1998. 188 pp, 15 col. pls, 141 b&w illus. ISBN 0-943012-25-2

Review published November 2001

This volume unites ten papers presented at a symposium at Princeton University, October 13-14, 1995, in conjuction with the exhibition 'Anatomy of a Painting: The Road to Calvary by Herri met de [...] Read More

Painting on Light. Drawings and Stained Glass in the Age of Dürer and Holbein

By Barbara Butts and Lee Hendrix, with the assistance of Scott C. Wolf

[Cat. Exh., J. Paul Getty Museum, Los Angeles, in collaboration with the Saint Louis Art Museum]. Los Angeles: J. Paul Getty Museum, 2000. 330 pp, fully illus. in col., with b&w comparative illus. ISBN 0-89236-579-X (paper)

Review published November 2001

Sometimes an exhibition arrives with the shock of a new recognition. Just as in the case of the wonderful 1995 New York exhibition of Netherlandish stained glass, The Luminous Image, produced by [...] Read More

Two Publications on Pieter Bruegel

By various authors
Review published November 2001

Jürgen Müller, Das Paradox als Bildform. Studien zur Ikonologie Pieter Bruegels d. Ä. Munich: Wilhelm Fink Verlag, 1999. 195 pp, 6 col. and 48 b&w illus. ISBN 3-7705-3191-4. ‘Pieter Bruegel [...] Read More

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