Rubens’s Assumption of the Virgin from about 1613 in the Kunsthistorisches Museum in Vienna was meant to become the High-Altar in the Antwerp Cathedral. The first commission for it dates from about More Info
Exhibition: The Expressive Body: Memory, Devotion and Desire (1400-1750)
The Expressive Body: Memory, Devotion, Desire (1400–1750) examines the ways in which the human form has provoked powerful responses, from the physiological to the mystical. In the early modern More Info
Exhibition: Clouds, Ice, and Bounty: The Lee and Juliet Folger Fund Collection of Seventeenth-Century Dutch and Flemish Paintings
Depicting a rich cross section of seventeenth-century Dutch and Flemish life and culture, this exhibition brings together 27 paintings acquired through the generosity of the Lee and Juliet Folger Fund More Info
Exhibition: Van Eyck to Mondrian: 300 Years of Collecting in Dresden
Building on the Morgan’s tradition of presenting to the American public distinguished works from outstanding institutions abroad, Van Eyck to Mondrian: 300 Years of Collecting in Dresden focuses on More Info
Exhibition: Becoming Famous: Peter Paul Rubens
Peter Paul Rubens (1577–1640) is arguably the most successful Flemish Baroque painter. His works are characterized by an impressive, colorful imagery that is highly recognizable. Even during Rubens’s More Info
Exhibition: From Memling to Rubens: The Golden Age of Flanders
The exhibition introduces the abundant fifteenth to seventeenth-century Flemish art collection of The Phoebus Foundation, and provides an overview of the versatility of the Belgian art culture of the More Info